Review

“Mirjana Lausevic’s lively account of Balkan music’s transplantation to the United States and its development as a quirky musical subculture deftly links the Balkan music scene to broader currents in American social history. Lausevic’s insightful analysis comprises a first-rate contribution to current scholarship on the role of transnational culture and affinity communities in America today.”–Theodore Levin, Dartmouth College”This thorough examination of the facets of Balkan music in America gives it a very human side, and although it’s hard to reach truly definitive conclusions about anything in this area, Lausevi marshals her facts and ideas well, and presents them cogently and readably. The result is a fascinating window opened on an American subculture that looks beyond its own borders.”–Sing Out!”After decades of American researchers studying the music practices of ‘other’ cultures, it’s about time someone studied us. This book deals with many important an (more…)